Intro with Sol Gabetta
In the podcast, cellist Sol Gabetta talks to Ulrike Thiele about good craziness that can grow and real skill that has to grow slowly - and about the cello concertos by Shostakovich, Schumann, Lalo and Martinů.
How many soloists are ideally needed on stage? What helps against irrelevance and mediocrity? Why is it important to say no? Why did she conduct a puppet choir? Why does she sing bel canto in Lalo's cello concerto? Who is her sister in spirit? And why did a great idea almost turn into a nightmare? Find out in the new episode of our podcast "Intro".
00:00 Beginnings in the Série jeunes
02:00 Shostakovich's 2nd Cello Concerto
04:00 Challenges to grow
05:40 To stop or to continue playing?
07:30 Ideal combination
08:20 When Paavo Järvi and the orchestra become one
10:00 Patricia Kopatchinskaja, my sister!
11:35 Totally free thinking
13:35 A late start with Schumann
15:00 How do you get into top "sporting" form?
17:55 I have something crazy in me!
19:50 From puppet choir to soloist
21:00 I can make a difference!
21:55 With Lalo, the cello sings bel canto
25:30 Martinů deserves more - good recordings too!
27:10 The best version
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