"Golden Eye" for Mikal Grigorovich
Three very different final entries, an Oscar winner and plenty of goosebumps: That was the 13th International Film Music Competition.
"The award is extremely heavy": that was Mikal Grigorowich's first reaction to the Golden Eye presented by jury president Hildur Guðnadóttir. Grigorovich - born in 2005, a musicology student in Berlin and a film music aficionado since his encounter with John Williams' soundtrack for "Star Wars" - was taking part in a competition for the very first time and immediately won it.
Mikal's score was one of 169 created by composers from 36 countries for the seven-minute short film "Wild Love". The film begins as an idyllic mountain romance and ends with marmot horror: an attractive template not only for Mikal, but also for fellow finalists Antonio Di Iorio and Gary Hirche. Subtle and brute, narrative and commentary, symphonic and rock - rarely have the fimmusical solutions been as varied as this year. The decision was not easy, said jury president Hildur Guðnadóttir; in the end, it was Mikal Grigorovich's very individual musical language and creative orchestration that were most convincing.
"It's heavy", said Icelandic composer, cellist and singer Hildur Guðnadóttir after receiving a "Golden Eye" from ZFF Director Christian Jungen. She was delighted to receive this honour, even if the associated term "Career Achievement Award" was somewhat foreign to her: "Music is not a career for me, it's my life."
Otherwise, there was a lot of music in the sold-out Great Tonhalle - and a lot of goosebumps: The Tonhalle-Orchester Zürich, conducted by Frank Strobel, not only played a medley by Swiss composer Balz Bachmann, but also excerpts from the film scores to horror and science fiction classics such as "The Shining", "The Revenant" and "Planet of the Apes". And, of course, there were also works by Hildur Guðnadóttir to be heard with the soundtracks to "Tár" and "Joker". The latter not only earned her an Oscar, but also inspired Joaquin Phoenix to a now legendary dance in the bathroom.
Finally, Lydia Kavina provided a last highlight with her theremin in the music to Hitchcock's "Spellbound": the early electronic instrument, which was once invented by her great-grandfather's brother, not only provided fascinating sounds - but also a very special moment of magic in the way these sounds are formed with the hands alone.
